15.12.2009
► Hall of Mirrors "Forgotten Realm" released by Silentes
Hall of Mirrors is an experimental music project founded by Andrea Marutti and Giuseppe Verticchio (Nimh) in 2005. Their second album entitled "Forgotten Realm" was released by Silentes in early December 2009. Here's the original press release:
Second "chapter" in the "Hall of Mirrors" saga, a project that hides the fervid minds of Giuseppe Verticchio/Nimh and Andrea Marutti/Amon. On this release they're supported by Andrea Freschi (Subinterior, Konau...) and Andrea Ferraris (Ur, Sil Muir...), who gave their contribute with additional sound sources. Another long and fascinating journey among the ruins of lost and ancient civilizations, among desolate landscapes forgotten by time... To enrich the already busy electronic stratifications, among slowly evolving ambient sonorities and occasional parts of more sharp and "rough" elements of a Post-Industrial nature, we also find suggestive sound of reverberating flutes and dilated electric guitar parts, ending with delicate melodic arpeggios and evocative rhythmic accents of a vague cinematic taste. The adventure goes on...
► Hall of Mirrors "Forgotten Realm" released by Silentes
Hall of Mirrors is an experimental music project founded by Andrea Marutti and Giuseppe Verticchio (Nimh) in 2005. Their second album entitled "Forgotten Realm" was released by Silentes in early December 2009. Here's the original press release:
Second "chapter" in the "Hall of Mirrors" saga, a project that hides the fervid minds of Giuseppe Verticchio/Nimh and Andrea Marutti/Amon. On this release they're supported by Andrea Freschi (Subinterior, Konau...) and Andrea Ferraris (Ur, Sil Muir...), who gave their contribute with additional sound sources. Another long and fascinating journey among the ruins of lost and ancient civilizations, among desolate landscapes forgotten by time... To enrich the already busy electronic stratifications, among slowly evolving ambient sonorities and occasional parts of more sharp and "rough" elements of a Post-Industrial nature, we also find suggestive sound of reverberating flutes and dilated electric guitar parts, ending with delicate melodic arpeggios and evocative rhythmic accents of a vague cinematic taste. The adventure goes on...