In a scene mostly crowded of male artists, Abby Helasdottir shows the basic idea that dark ambient/experimental music is exclusively male oriented is a bullshit, and this release also demonstrates the concept female musicians may have this or that characteristics is false.
As we've already said, this musician from New Zeland deals with dark ambient from the music to the layout and if you're looking for some supplementary hints I'd say this doesn't belong to the category of "I'll scare the shit out of you" dark-ambient releases, it's an heave trip for sure but it's a psychedelic crepuscular trip that presents some really melodic interventions that change the whole atmosphere of the two long tracks here included.
It looks like some sound source of this release comes from some old tape experiment she did during the late nineties and someway the global feel of the most obscure passages could suggest it, but if that puts forward the equation: "old sounds equals retro music"... forget it.
The interesting game of heavy passages and melancholic quasi-sacral movements is mainteined also in the second track of this work, here you've more outspoken keyboards sounds that twist the shape of the scenario but the style is really similar to the music of the opening suite.
I know you may not agree with me but I think Gydja's music fits really well with definitions such as "ecstatic", yes, "dark and esthetic" and considering she's far from those mono-drone recordings where you feel like bored to death after a few minutes, I'm sure you'll appreciate the way she maintained her composition dynamical by moving different elements and atmospheres during the length of every track.